TRIBUTE TO JANE CAMPION
Thirty-five years after its release in New Zealand cinemas, presentation of Jane Campion’s masterpiece in the form in which it was originally conceived: a mini-series in three episodes.

An angel at my table by Jane Campion
1990 / New Zealand / 158′ (3 episodes)
The harrowing childhood and life of Janet Frame, one of New Zealand’s greatest writers, who was once committed to a psychiatric hospital.
Friday, April 11 – 4.15 pm:
Episode 1 – To the Is-Land
Episode 2 – An Angel at my Table
Saturday, April 12 – 4 pm:
Episode 3 – The Envoy from Mirror City
B-SERIES
A tribute to the American B movies of the 1930s and 1940s, a mix of noir, crime and thriller.
Thursday, April 10 – 4 pm

Behind Locked Doors by Budd Boetticher
1948 / United States / Fiction / 60′
Suspecting that a judge, wanted by the police, has taken refuge in an insane asylum, a journalist asks a private detective to break into the institution, posing as both her husband and a patient.
Friday, April 11 – 6.30 pm

The Man they Could not Hang by Nick Grindé
1939 / United States / Fiction / 62′
Dr. Savaard, a mad scientist, has discovered a method of raising the dead through a scientific experiment. Denounced by his assistant’s girlfriend, Savaard is arrested and sentenced to be hanged. Before his execution, he swears revenge against the judge, the prosecutor and the jury for this injustice. After he is hanged, he is resurrected by his assistant, who uses his technique. Dr Savaard can now take his revenge…
Saturday, April 12 – 2 pm

My Name is Julia Ross by Joseph H. Lewis
1945 / United States / Fiction / 62′
Julia Ross has just been hired as a secretary by a wealthy widow, Mrs Hughes, but she is drugged and wakes up in an unknown place in Cornwall. She is told that she is Mrs Hughes’ daughter-in-law and that she has just been released from a psychiatric hospital.
FRENCH FANTASTIC
Five auteur rarities that redefine the boundaries of French fantasy, from vampire films to horror documentaries.
Wednesday, April 9 – 4 pm

Le Cas Howard Phillips Lovecraft by Patrick-Mario Bernard and Pierre Tridivic
1998 / France / Documentary / 45′
A literary and biographical portrait of the American writer Howard Phillips Lovecraft, continuator and renovator of the Gothic tradition and master of fantastic literature. His unique setting is a poor, dilapidated flat. It may be the New York flat where Lovecraft spent the painful years of his descent into hell. But perhaps it is also, and above all, the writer’s mental landscape. A landscape haunted by fear, ravaged by the pain of social failure and inner exile.
In partnership with INA

Fantasmagorie by Patrice Molinard
1963 / France / Fiction / 41′
In 1743 in the Val d’Oise: a vampiric epidemic spreads death and panic. The region is deserted. Two centuries later, the memory of past horrors has faded, civilisation has returned and modernity has taken hold. But one night, a mysterious black figure breaks into a couple’s home and steals the woman’s portrait. The next day, the husband, who has gone on a trip, leaves his wife at home alone. She sleepwalks and wanders through cemeteries. The nightmare begins…
Thursday, April 10 – 5.15 pm

Les Gens de l’été by Claude Chabrol
1974 / France / Fiction / 52′
Two pensioners decide to extend their holiday beyond the usual date, near a lake where they have a villa. From then on, everything turns hostile: the butcher stops delivering meat, there’s no milk, their electricity is cut off and their car is sabotaged. Don’t we want to show them that when you’ve done your time, on holiday or in life, it’s not a good idea to linger and that you should disappear?
In partnership with INA
Friday, April 11 – 2 pm

La Fenêtre by Jacques Pierre
1970 / France / Fiction / 45′
Two suicides take place in the same room of a hotel in Paris. The police investigate the reasons why two previous tenants hanged themselves in this very spot.
In partnership with INA

Le Récit de Rebecca by Paul Vecchiali
1964 / France / Fiction / 43′
In 18th-century Spain, Rebecca, the daughter of a great cabbalist promised a spiritual union with the Gemini, tries out her powers in a night of magic and conjurations
In partnership with INA
THE HUMAN COMEDY
A retrospective of comedy across genres, countries and decades.
Nine films subverting the relationship to faith, marriage, bourgeois morality, work and prejudice.
Tuesday, April 8 – 3.30 pm

Simon du désert by Luis Buñuel
1965 / Mexico / Fiction / 45′
Simon lives as a hermit at the top of a tower built in the middle of the desert. His activities are reduced to fasting and meditation. Sometimes he gets bored, and it’s in his moments of slackness that the devil comes to tempt him, appearing in various forms.

Renzo et Luciana by Mario Monicelli
1962 / Italy / Fiction / 43′
Renzo and Luciana work for the same large company, but because Luciana’s employment contract stipulates that she must remain single and not become pregnant, they are reduced to getting married in secret, on the pretext of a dental appointment.
Tuesday, April 8 – 5.45 pm

À nous deux, France ! by Désiré Ecare
1970 / Ivory Coast / Fiction / 60′
Evoking mixed marriages and their difficulties on the part of the black community in particular, the author depicts the wanderings of a young black husband, an elegant dandy, who comes to Paris to find his young white wife and their little girl…
Tuesday, April 8 – 8.30 pm

Six of a Kind by Leo Mccarey
1934 / United States / Fiction / 60′
J. Pinkham Whinney and his wife, Flora, want to go on a second honeymoon and decide to share the cost of the trip with a wacky couple. None of them realise that they are carrying a suitcase containing loot stolen by Ferguson, Whinney’s scheming colleague.
Wednesday, April 9 – 6 pm

Les Sièges de l’Alcazar by Luc Moullet
1989 / France / Fiction / 54′
Paris, 1955. Guy, a critic for ‘Cahiers du cinéma’, often goes to see Vittorio Cottafavi’s films in a local cinema. There he spots Jeanne, a critic for the enemy magazine ‘Positif’, who seems to be following him.

Le Roi d’Yvetot by Jean Renoir
1970 / France / Fiction / 40′
In Provence, Edmond Duvallier is convinced that he is not meeting the expectations of his wife, who is much younger than he is. The couple befriend André, the village vet. When Edmond discovers that Isabelle and André are lovers, he seeks advice from his neighbours…
Film in partnership with INA
Wednesday, April 9 – 8.30 pm

Tiens ton foulard, Tatiana by Aki Kaurismaki
1994 / Finland / Fiction / 60′
Finland in the 1960s. Two men Vlato and Reino, criss-cross the countryside in a black Volga. They are joined by Tatiana, an Estonian, and Klaudia, a Russian. They want to get to Helsinki before setting off for Tallinn…
Thursday, April 10 – 2 pm

Noche terrible by Rodolfo Kuhn
1967 / Argentina / Fiction / 47′
On his last night as a bachelor, a man imagines what would happen if he ran away and avoided marriage, and wonders if he would be able to avoid “conventions” and have a sincere relationship with his girlfriend.

L’Homme qui cherche son assassin by Robert Siodmak
1931 / Germany / Fiction / 53′
A man in dire straits hires a burglar to kill him later, then changes his mind when his fortune turns; he must then track down the contract killer before it’s too late.
OPENING CEREMONY
Presentation of the 22nd edition of the Brive Cinema Festival by Giulio Casadei, general delegate, then screening of the film:
Renzo et Luciana by Mario Monicelli
1962 / Italie / Fiction / 43′
Renzo and Luciana work for the same large company, but because Luciana’s employment contract stipulates that she must remain single and not get pregnant, they are forced to marry in secret, using a dentist appointment as a pretext.
Free entry, subject to availability.

Monday April 7 - 8:00 p.m. - Rex Cinema
Also broadcast Tuesday April 8 - 3:30 p.m. - Rex Cinema
JURYS 2025

PATRICIA MAZUY
President of the jury
A native of Dijon and a good student, Patricia Mazuy wanted to go to the Louis Lumière school but entered HEC to satisfy the wishes of her father, a baker. There she confirmed her love for westerns and thrillers, discovered the Doors, who were already dead, and eventually left for Los Angeles. There, she shot a short film on her babysitter’s salary and met Agnès Varda and her editor Sabine Mamou. Three years later, Varda hired her as a trainee on Une Chambre en ville. She learned and became an editor. After editing Sans toit ni loi, she devoted herself to her first film, Peaux de vaches, and has been working on a series of projects ever since. Her latest feature, La Prisonnière de Bordeaux, was released at the end of 2024.

SÉBASTIEN BETBEDER
After studying at the Beaux-Arts and then the Fresnoy, Sébastien Betbeder has made a number of short and medium-length films (including Inupiluk, which won the Jean Vigo prize), and nine feature-length films, including Nuage (Locarno), 2 automnes 3 hivers (Acid Cannes), Ulysse & Mona (Toronto), Tout fout le Camp… Shot with a concern for independence, his films allow him to experiment all kinds of stories, with comedy his favorite genre. After Le voyage au Groenland, in 2024 he decided to travel to the island once again to direct L’Incroyable femme des neiges, which premiered at the Berlinale in February 2025. Sébastien Betbeder has directed a number of medium-length films shown in competition at Brive.

AGATHE BONITZER
Daughter of filmmakers Sophie Fillières and Pascal Bonitzer, the actress made her debut as a teenager, notably in Noémie Lvovsky’s Les Sentiments. At the age of 18, Christophe Honoré cast her as Marie Valois in his film La Belle Personne. Since then, Agathe Bonitzer has worked with a number of directors, including Agnès Jaoui, Frédéric Videau, Thierry Binisti, Sébastien Betbeder, Guillaume Nicloux, Jeanne Labrune, Ado Arrietta, Damien Manivel, Angela Schanelec, Sébastien Bailly and Costa-Gavras. She will be appearing in Affection affection, the next film by Maxime Matray and Alexia Walther, currently in post-production. Alongside her brother Adam Bonitzer and Sophie Fillières’ main collaborators, she has also completed post-production on Ma vie ma gueule, released in September 2024. Agathe Bonitzer is also a member of the jury that awards the Prix Jean Vigo each year.

JONATHAN MILLET
After studying philosophy, Jonathan Millet set off alone with his camera to film distant countries for image databases. He travelled to and filmed in around fifty countries. He went on to make several short fiction films, including Et toujours nous marcherons, nominated for a César for Best Short Film in 2018, as well as documentaries: Ceuta, douce prison, released in cinemas in 2014, Dernières nouvelles des étoiles, filmed in Antarctica, and La Disparition, filmed in Amazonia. His first feature film, Les Fantômes, opened Critics’ Week 2024 and won the Louis-Delluc Prize for Best First Film.
SFCC CRITICS’ JURY PRIZE

Régine Arniaud
A graduate of the Conservatoire National d’Art Dramatique in Marseille and the École du Louvre in Paris, Régine Arniaud is both an actress and a journalist.As a journalist, for five years she produced Cinesix, M6’s film magazine, as well as hosting the film, culture and trends columns for the 12.45 and 19.45 news programmes. Today, she continues to share her passion for cinema, notably on the television magazine Ci Né Ma.

Nicolas Bellet
Journalist / JRI and freelance critic, specialising in cinema and series. A critic for the AV César website and Radio M’s, he is also a columnist for France Infos, a contributor to Kinepolis cinemas and Hautefidélité magazine.

Pascal Le Duff
Film critic for the Télégramme de Brest and the monthly Études. Member of the selection committees for the Kinotayo festival in Paris, dedicated to Japanese cinema, and the FEFFS, the European Fantastic Film Festival in Strasbourg.
JURY DIFFUSION
Bénédicte Hazé – Programming and events manager at La Baleine cinema (Marseille)
Justine Lévêque – Artistic Director Champs-Élysées Film Festival (Paris)
Laurent Trémeau – Director and programming at Un Festival C’est Trop Court (Nice)
CORRÈZE YOUTH JURY
Maëlys Amavasee
Maddie Berthe Choffin
Constance Boutonnier
Sasha Courault
Maurine Nublat
Coordination: Jade Lavrador
ENERGY SOCIAL ACTIVITIES JURY
Daniel Dexet
Christophe Goursau
Ménéhi Guitard
Monique Léger
Adrien Many
Bernard Mathieu
Brigitte Rampersan
JURY PITCHS
SCRIPTWRITING COMPETITION JURY
Frédéric Dubreuil – Producer
Emma Marquardt – Producer
Jean-Baptiste Mees – Director